A Radical Act of Sculpture

“I think the tree is an element of regeneration which in itself is a concept of time. The oak is especially so because it is a slowly growing tree with really solid wood." - Joseph Beuys (Leeds Gov, 2021)

In the present day, the impact our actions can have on the natural environment continues to be brought under greater and greater scrutiny. As a result, the number of environmentalist groups are growing rapidly and within some of these groups the act of planting trees is associated with a rebellious act, a form of radical activist art. This is not a new idea. The notion of tree planting being sculptural has been around since the late seventies and is represented in the work of individuals like Joseph Beuys.

In 1982 Beuys launched the 7000-oak project, originating from Kassel, Germany. The project went on for five years, spreading across the world. In 2000 the Joseph Beuys Sculpture Park and Joseph Beuys Tree Partnership were founded, planting an additional 350 more trees throughout Baltimore. To commemorate the project, each tree is paired with a basalt stone so it can be identified.

Beuys redefines what it means to practice 3D art and used his work to challenge perspectives on what can constitute sculpture. Through his work, the trees become a social artwork to be actively and communally enjoyed while contributing positively to the environment by cleaning the air, and encouraging wildlife. An example of hopeful and commendable ecological work, that has given back to both society and the natural environment.

Twin Oak Saplings (2 years old) :

I grow trees (including oak) myself, and am always looking for new ways to be more sustainable and sensitive of the impact I am having on the natural world so coming across Joseph Beuys work was deeply impactful and changed my own perspective on what sculpture can be. The dedication, care and understanding of the tree and its needs that are necessary to bring a tree to fruition, is the same as that which a sculptor must apply to understand their medium and hone their craft . There is an inherent unpredictability in plant growth and sculpture that allows the two concepts to come together naturally.

Horse Chestnut Sapling (3 years):

Protecting and caring for the trees which are themselves providers, gives me a sense of productivity and involvement comparable to any painting or sculpture I have made. They are source of inspiration for me.

I am growing more trees this year, including yew and peach. I will explore living sculpture and see how I can customise the growth of my plants, making them more recognisable as art.

Pending Trees: